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Learning from Gardens, Books and Art

Learning from Gardens, Books and Art

Posted 31 January 2010 | By | Categories: Art, Books, Gardening | Comments Off on Learning from Gardens, Books and Art

 Collocation No. 14 (NATURE) Left Panel by Mickey Smith

I’m charmed by this “Collocation No. 14 (NATURE) Left Panel” print by Mickey Smith (and its fraternal twin) from 20×200.com (which is having a ridonkulous sale on their prints through the weekend), and it made me think of Cultivating Failure, Caitlin Flanagan’s attack in the current Atlantic on school gardens for taking away from book learning. To which Kurt Michael Friese at Civil Eats replied best summing up my own thoughts:

Ms. Flanagan has chosen to ignore the core purposes of these gardens, only one of which happens to be cultivating a respect for hard work, and only one other of which is a healthy respect for real food. While she notes that the work of the garden has migrated into each of the classrooms, she ignores the obvious point that this demonstrates: There is nothing taught in schools that cannot be learned in a garden. Math and science to be sure, but also history, civics, logic, art, literature, music, and the birds and the bees both literally and figuratively. Beyond that though, in a garden a student learns responsibility, teamwork, citizenship, sustainability, and respect for nature, for others, and for themselves.

Here in New Zealand, I was touched by Maggie Barry’s story of Seeding for Success showing how a school garden program led by Kataraina Nock at the Edmund Hillary School in South Auckland not only engaged students but families and the community beyond. I’m also excited to see The Garden to Table Trust’s initiative for New Zealand Primary Schools where children aged 7-10 will learn to grow, harvest, prepare and share food. The Garden To Table program was inspired by the Kitchen Garden Foundation in Australia, founded by Stephanie Alexander, whose Kitchen Garden Cookbook and Cook’s Companion are two of the books I’ve been enjoying learning from this week.)

Last week I was reunited with the things I saved while dematerializing and moving to New Zealand. I was excited and nervous to uncrate the art I had loved in New York — would I still find it beautiful or have any emotional connection? Would it even arrive intact? On that front, I am so pleased with the packing and crating by WelPak. They lived up to their name completely.

My father noted how uncanny it was that Marc Quinn’s Garden II series of prints (pictured above in part in New York) fit in so well to the new enviornment. But I wasn’t surprised at all… I remember falling in love and wanting to move in and surround myself with the intense blues and greens, the profusion of wild and vibrant flora, the juxtaposition of species you wouldn’t find together anywhere else. Which would not be an incorrect way to describe where I am now in New Zealand. Perhaps the art in part led me here? What yearnings are revealed in the art that speaks to you?